Catalogue

Redacted: Writing in the Negative Space of the State

One Thing Follows Another: Experiments in Dance, Art, and Life through the Lens of Simone Forti and Yvonne Rainer

Works for Works, Book 2: “No Rights”

Kern

Nairobi Becoming: Security, Uncertainty, Contingency

In Defense of Don Giovanni: A Feminist Mythobiography

Masks

The Pandemic Visual Regime: Visuality and Performativity in the COVID-19 Crisis

Northeastern Asia and the Northern Rockies: Treasures from the Los Angeles County Museum of Art and the Daryl S. Paulson Collection

Recovering the Radical Promise of Superheroes: Un/Making Worlds

all except you

Ontohackers: Radical Movement Philosophy in the Age of Extinctions and Algorithms

Mineral Policies

About That Life: Barry Lopez and the Art of Community

My Phone Lies to Me: Fake News Poetry Workshops As Radical Digital Media Literacy Given the Fact of Fake News

A Credible Utopia: Essays on Selected Films of Werner Schroeter

Multispecies Storytelling in Intermedial Practices

Out of Place: Artists, Pedagogy, and Purpose

Resistance

Letters on the Autonomy Project

Pitch and Revelation: Reconfigurations of Reading, Poetry, and Philosophy through the Work of Jay Wright

Works for Works, Book 1: Useless Beauty

(((

Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist

Helicography

Inefficient Mapping: A Protocol for Attuning to Phenomena

ΠCase Files, Vol. 01

Still Life: Notes on Barbara Loden’s “Wanda” (1970)

Cinema’s Doppelgängers